That distinction is shared between Ableton Live, Logic Pro, and FL Studio, which pride themselves on unique built–in functionality for manipulating audio loops and MIDI information.įor example, Ableton Live’s clip view is an efficient way to quickly switch between patterns and ideas, helping you sketch out musical thoughts much quicker than you may be able to in Pro Tools. The Basics of ReWireīack in the distant past of 1998, just before Napster hit our screens and years prior to Ableton sweeping laptops worldwide, software engineers at Propellerhead and Steinberg joined forces to create the ReWire software protocol.įor me - a die–hard Pro Tools user and electronic/hip–hop producer - ReWire has become an essential part of my everyday workflow.Īs you likely know already, Pro Tools is not the go–to production environment for electronic music production. So why not use both programs? This is where ReWire comes in, allowing you to take advantage of multiple programs, simultaneously. Likewise, working with audio tracks in Reason is much more of a pain than it is in Pro Tools. Reason’s REDRUM computer is the perfect tool for such a task. For example, Avid’s Pro Tools is the industry standard for tracking live bands and working on audio–heavy projects, while Apple’s Logic Pro and Ableton Live have been widely accepted as the main DAWs for electronic music production.Īnd though you may argue that each DAW is equally capable of quality production (in the hands of an experienced user), there will always be specific tools in one DAW that just aren’t native to your DAW of choice.įor example, if you are a Pro Tools user, you may find yourself lacking the built–in functionality of a drum–machine–style step sequencer that you can load your own samples into.
Many of these applications have been lovingly adopted in different sectors of the recording industry. Pro Tools, Cubase, Ableton Live, Reason, Logic, and FL Studio (just to rattle off a few) have wrested the power of recording from the expensive studio and put it right in the hands of the music maker at home. In today’s digital recording landscape, there is a vast forest of software options.
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